Wednesday 22 February 2017

Whisky Tango Foxtrot

Afghanistan unsurprisingly has been 'done' a fair bit on screen over the decade or more, but this movie doesn't do the big badda boom badge of honour action, but focuses on the lives, interactions, and mindsets of war correspondents and the people around them, within a context of light drama with (for me at least) laugh out loud moments, and does it rather well, despite the director team of  Glen Ficarra and John Requa having previously given us the soul numbing ‘Bad Grandpa’ There is a sensitive balance in tension between the seriousness and ridiculousness of reporting on armed conflict without it turning into Boo Ra!  or ‘War Inc’ pastiche, and it has something serious to say about major news services treating conflicts as fashionable commodity. It also shows, and I know ‘cos I’ve met a couple, what an utterly bonkers lot conflict journo’s are.

The storyline? Well jaundiced copy editor chucks herself into the void to escape the walls closing in, wonders briefly what the fuck she’s done, and then chases the big story. Big story nailed, she hangs in and racks up some scare miles until eventually realizing that no one in the big comfy news media offices gives a flying Taliban anymore unless it’s a biiii………iiiiiiiiiiig story. Throw in a bit of romance, some mad soldiery, droolly politicians, and warlordiness… and that’s your Kofta’s served.
Tina Fey? Well I've seen her in a few light comedies that have not exactly set my synapses on fire, but .with her particular brand of wide eyed neurosis she carries the lead in this one well enough. Margo Robbie is solid. Billy Bob Thornton continues his 'second wind' as a serious actor and gives superb sarky military in this one, and
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Martin Freeman surprises in a relatively un-type loose limbed performance, even if his Scots accent was a bit…erm…odd. The stand out for me though is Christopher Abbott (who I must confess I know little about) as Afghan guide/security man Fahim, in a remarkably nuanced performance. An actor to watch out for I reckon. The only casting blip is the choice of Alfred Molina as an Afghan minister. Seen him do some fine work previously but so miscast here it almost seems he is in a different movie to everyone else.

Where this movie really wins out is scripting and pace. There is no fat here, and I found myself engaged throughout. All in all maybe not a must see, but if you do come across it? It’s worth a punt 

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